An Analysis of Dr. Strangelove, An Adaptation of Peter Bryant's Novel "Red Alert" Essay

Beginning roughly with the release of Stanley Kubricks Dr. Strangelove Or How I Stopped Worrying and Loved the Bomb in 1964, and continuing for about the next decade, the Sixties era of filmmaking made many lasting impressions on the motion picture industry. Although editing and pacing styles varied greatly from Martin Scorcesses hyperactive pace, to Kubricks slow methodical pace, there were many uniform contributions made by some of the eras seminal directors. In particular, the Sixties saw the return of the auteur, as people like Francis Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick, Coppola and Allen each experimented with characterization, narrative and editing techniques. By examining the major works of these important directors, their contributions become more apparent.Dr. Strangelove (1964), an adaptation of Peter Bryants novel Red Alert, although still bearing the usual traits of a Kubrick film, is something of a departure for him in terms of editing and spatial strategies. The films run-time more or less corresponds with the fictional or represented time in the story. This direct correspondence between fictional and real time adds to the sense of temporal compression induced by the films insistent editing patterns. Although Dr. Strangelove employs many long takes, it contains the shortest average-shot-length of any Kubrick film. The film consists of roughly 700 shots and has a run time of 94 minutes for an average-shot-length of 8 seconds. Despite the rather short average-shot-length, Dr. Strangelove still resorts to crucial long takes to slow down the rapid momentum of the story (Falsetto, 35).Several spatial and temporal procedures are at work in Dr. Strangelove, such as the use of the long take. Conversely, the B-52 sequences, often accompanied by various versions of When Johnny Comes Marching Home, employ different editing patterns than the rest of the film. These edits reinforce the films theme of inevitability. Through editing, the B-52 sequences display a...

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