An Analysis of Bamboozled, a Film by Spike Lee Essay

The days of blackface minstrel troupes may seem like ancient history to most Americans, but Spike Lee wants to refresh our memory. Spike Lee is onto something when he looks to the days of blackface minstrel troupes to help us understand race in today's America. With Bamboozled, Hollywood's most reliable provocateur is saying we haven't come as far as we think. In Bamboozled, Damon Wayans plays well-mannered Harvard alum Pierre Delacroix, a black TV writer whose ratings-hungry boss (Michael Rapaport) delivers an ultimatum give me a hit show or clean out your desk. His response "Mantan," a revival one of the most popular and most degrading forms of entertainment in nineteenth-century America blackface minstrelsy. Delacroix developed the program as a rage-driven stunt but it turns into an unexpected hit, apparently able to indulge a racist format largely because the actors using burnt cork to blacken their faces happen to be African Americans.In the movie, Pierre Delacroix is late for a meeting he wasn't told about. He reprimands his assistant Sloan Hopkins (Jada Pinkett-Smith), who hadn't received any info about the meeting to begin with. This scene makes clear that if one wants to succeed in that company, one can't count on simple procedures like memos, but has to run after the info -- that is if one happens to be black. Delacroix is the only person of color in the creative team of that TV station - unless one would count the Caucasian boss Dunwitty, who says, "brother man, I'm blacker than you". Dunwitty thinks that his African-American wife and two biracial kids earn him the ability to be viewed as either white or black, depending on what is the most advantageous for him at any given moment. He talks the talk, he knows the names of African American celebrities, and he's decorated his office with pictures of black athletes. Shouldn't that grant him "honorary blackness"? He wants to be black when...

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